‘Preface’ (with Daniel Sheppard)
In Dika, Vera Games of Terror: Halloween, Friday the 13th, and the Films of the Stalker Cycle, 2nd Edition. Wales University Press, Forthcoming.

‘The Slasher as a Global Subgenre’ 
In The Routledge Companion to Horror, edited by Kristopher Woofter, Stacey Abbott, Roger Luckhurst, and Adam Loewenstein. Routledge, Forthcoming.

'Introduction' (with Karrå Shimabukuro)
‘“Shot and stabbed and burned and sent to Hell and shot into outer space”: Cyclical and Reflexive Experiences of Paratextual Engagement with Friday the 13th’ 
'Conclusion' (with Karrå Shimabukuro)
In Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror, edited by Karrå Shimabukuro and Wickham Clayton. Liverpool University Press, 2024.

‘The Twilight Saga’
In The Palgrave Handbook of the Vampire, edited by Simon Bacon. Palgrave Macmillan, 2023.

‘“They say with Jason, death comes first / He’ll make Hell a place on Earth”: The functions of Hell in New Line’s Jason Sequels’
In: Theology and Horror: Explorations of the Dark Religious Imagination, edited by Brandon R. Grafius and John Morehead. Lexington Books, 2020.

‘Seven James Bonds at Casino Royale’
 In: Gender in James Bond, edited by Steven Gerrard, Emerald Publishing, 2020.

'Introduction' and
‘“Can anything good come out of Southern California?’’* (*hyperlink to John 1:46): The Christian Critical Reception of Elliptical Jesus Narratives’
In: The Bible Onscreen in the New Millennium: New Heart and New Spirit, edited by Wickham Clayton, Manchester University Press, 2020.

‘Misogyny or Commentary?: Gendered Violence Outside and Inside Captivity’  
Co-Authored with Shellie McMurdo, in: Gender and Contemporary Horror in Film, edited by Samantha Holland, Steven Gerrard, and Robert Shail, Emerald Publishing, 2019.

‘“It’s Amazing What We Can Do With Computers These Days”: Big Budgets and the Problem of Cult Aesthetics’ 
In: A Celebration of Slashers, edited by Paul Booth and Alena Karkanias, DePaul University, 2018.

‘“This is how I lied about coming up with the idea for writing about The Brothers Grimm”: Gilliam’s Film and Fabrication of Adaptive Sources’ 
In Adapted from the Original: Essays on the Value and Values of Works Remade for a New Medium edited by Laurence Raw, McFarland and Company, 2018.

‘The Four Archetypes in The Three Burials (of Melquiades Estrada)’ 
In A Fistful of Icons: Essays on Frontier Fixtures of the American Western, edited by Sue Matheson. McFarland and Company, 2017. 

‘introduction: The Collection Awakes’ and
‘Undermining the Moneygrubbers, or: How I Learned to Stop Worrying and Love Friday the 13th Part V’ 
In Style and Form in the Hollywood Slasher Film, Palgrave Macmillan. 2015.

'Introduction' (co-authored with Sarah Harman) and
'“Where have all the monsters gone? Long time passing”: The Aesthetics of Absence and Generic Subversion  in New Moon’
In Screening Twilight: Critical Approaches to a Cinematic Phenomenon, edited with Sarah Harman, I. B. Tauris/Bloomsbury, 2014.